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Wednesday 4 November 2009

Witchfinders A Seventeenth Century English Tragedy

Witchfinders A Seventeenth Century English Tragedy Cover

Book: Witchfinders A Seventeenth Century English Tragedy by Malcolm Gaskill

The Salem witch trials are famous, but they were extremely limited in scope, with few witches being executed. Hundreds more victims were caught in the witch hunting that occurred in the eastern counties of England in 1645 -1647. Like the Salem version, these witch trials have become the subject of drama, and mostly dramatic license; even those who know little of the history of Britain at the time of the English Civil War may well know Vincent Price playing the title role in _Witchfinder General_ (1968). It is no surprise that the movies got wrong the story of Matthew Hopkins (who proclaimed himself his nation's Witchfinder General), but legend-makers were getting Hopkins's story wrong immediately after his death. In _Witchfinders: A Seventeenth Century English Tragedy_ (Harvard University Press), historian Malcolm Gaskill has told it factually, and it is indeed a frightening tale, not just for the participants of the time, but for us all. Gaskill has wisely put the story in its historical context, and finds that our world continues to make contexts in which persecuting and murdering witches is acceptable justice.

Worry about witches long preceded these particular persecutions. witchcraft had been a specific crime for a century by the time Hopkins and his partner John Stearne began their hunts, but suspicion of Catholics and political and economic crises gave the pair a market. They were hired consultants, who, when communities suspected witches, would ride in, find the court-presentable evidence in the cases, and then allow justice to begin. Witches would be subject to all the ills of standard prisons, which as described here were hellish, not only starving their inmates but exposing them to squalor and illness. They would be tortured and sleep deprived, and could thereby confess to all sorts of fanciful crimes. It is unsurprising that confessions were fully consistent with the folklore of the age, having to do with the imps kept by the witches, the cats, mice, dogs, or insects that were Satan's ambassadors, kept and fed by the witch. The imps were bothersome in themselves, acting as vampires sucking blood from the witches who kept them, and body searches for finding the "teats" whereon the imps sucked were important sources of evidence. Any lump or bump would do. Hopkins and Stearne's spree was short-lived, and Gaskill shows that the chief reason for the end to the practice was not a boom in rationality but simply an acknowledgement of economics. Communities had to pay for the witchfinders' services, and for the jailing of the witches, and their trials and their eventual hangings. The witches, always poor folk, had no resources from which to pull costs by fines. It became clear that the benefits of pursuing witches were outweighed by the financial costs of doing so.

Stearne died in obscurity, and the more famous Hopkins died of simple tuberculosis as the witch fad was dying out in 1647. That wasn't good enough; legends quickly sprang up that he had been hung as a witch himself, or that he died in his own ordeal by water. Such stories make good horror movies, perhaps, but the facts marshaled here about the trials, the ways of life and superstitions of the populace, and the political and religious battles of the time make fascinating reading. Gaskill makes the point that torturous interrogations could bring forth confessions that were untrue and even preposterous; he does not mention that it is only sensible that evidence collected by similar means by interrogators currently under federal hire is just as suspect. More broadly, he points out that the tragedy he covers is not isolated; superstition, often cloaked in religion, has resulted in recent deaths of "witches" in India and Africa. We are not much different from the British all those centuries ago, nor from contemporary Indians and Africans. We are anxious and vulnerable, and it is not hard to imagine that a rise in fundamentalist beliefs combined with a reduction in peace and prosperity may start the hunt again.

Salem, Massachusetts, 1692: discussions of witch hunts generally begin and end then and there. However, as Gaskill, Fellow of Churchill College, Cambridge, reveals, witch hunts are not unique to this side of the Atlantic, and spectacular witch hunts unfolded in the English counties of East Anglia from 1645 to 1647, in which two rather "minor gentlemen," Matthew Hopkins and John Stearne, each seeing a "future in collaboration with the other," sparked a frightening and unparalleled witchfinding campaign that preyed on the fears and anxieties of "unremarkable people, who, through their eager cooperation with Hopkins and Stearne, themselves became witchfinders." These witch hunts enjoyed widespread support in fervent puritan circles, and by coaxing fanciful confessions out of frightened suspects, Hopkins's and Stearne's "investigations" led to over 100 executions. Skillfully set against the backdrop of the English Civil War of the mid-17th century-pitting puritans against Catholics, Parliament against king-Gaskill explains the enthusiasm for capturing and punishing witches "was therefore partly a reaction against the decline of prosecutions under Charles I, and partly a sign that witchfinding and the persecution of Catholics were linked in people's minds." Many would come to view witchfinding as part and parcel of puritan reform, with Hopkins in the vanguard, fancying himself a "warrior of reformation." This is a fine, convincing narrative; readers of English history will appreciate the fruits of Gaskill's labor, particularly his adroit sourcing of this fascinating story.

Buy Malcolm Gaskill's book: Witchfinders A Seventeenth Century English Tragedy

Free eBooks (Can Be Downloaded):

Alan Macfarlane - Witchcraft In Tudor And Stuart Essex
Alan Macfarlane - Witchcraft In History Of The English Speaking Peoples
Diane Purkiss - The Witch In History Early Modern And Twentieth Century Representations